{"id":40626,"date":"2021-10-20T00:00:00","date_gmt":"2021-10-19T23:00:00","guid":{"rendered":"https:\/\/imagazine.it\/?p=40626"},"modified":"2021-10-20T00:00:00","modified_gmt":"2021-10-19T23:00:00","slug":"il-tour-di-claudio-baglioni-torna-in-fvg","status":"publish","type":"post","link":"https:\/\/imagazine.it\/home_desk\/il-tour-di-claudio-baglioni-torna-in-fvg\/","title":{"rendered":"Il tour di Claudio Baglioni torna in FVG"},"content":{"rendered":"<p> \tLa musica riparte e cos\u00ec anche le tourn\u00e9e teatrali dei grandi nomi della musica italiana. Fra i tour pi\u00f9 attesi della prossima stagione c\u2019\u00e8 sicuramente quello che vedr\u00e0 protagonista il grande <strong>Claudio Baglioni<\/strong>, cantautore fra i pi\u00f9 amati di sempre, che ha ufficializzato oggi le date del suo nuovo progetto live dal titolo \u201c<strong>Dodici Note Solo<\/strong>\u201d. Dopo \u201cAssolo\u201d, \u201cInCanto\u201d e \u201cDieciDita\u201d, il 2022 vedr\u00e0 il grande ritorno dal vivo di Claudio Baglioni, con il suo concerto pi\u00f9 appassionante, esclusivo, unico.<\/p>\n<p> \tSaranno tre gli appuntamenti nei principali teatri del Friuli Venezia Giulia, per l\u2019organizzazione di Zenit srl e Friends and Partners, in collaborazione con PromoturismoFVG: il <strong>5 aprile 2022<\/strong> al <strong>Teatro Nuovo Giovanni da Udine<\/strong> (in collaborazione con il Comune di Udine e il teatro stesso), il <strong>6 aprile<\/strong> al <strong>Politeama Rossetti di Trieste<\/strong> (in collaborazione con lo stabile triestino) e il <strong>23 aprile<\/strong> al <strong>Teatro Verdi di Pordenone<\/strong> (in collaborazione con il Comune di Pordenone e il teatro stesso).<\/p>\n<p> \tA partire dalle ore 16 di gioved\u00ec 21 ottobre, i biglietti saranno disponibili secondo le modalit\u00e0 e tempistiche elencate sui siti <u><a href=\"http:\/\/www.friendsandpartners.it\" target=\"_blank\" rel=\"noopener\"><span style=\"color:#0000ff;\">www.friendsandpartners.it<\/span><\/a><\/u> e <u><a href=\"http:\/\/www.azalea.it\" target=\"_blank\" rel=\"noopener\"><span style=\"color:#0000ff;\">www.azalea.it<\/span><\/a><\/u> .<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dodici Note Solo<\/p>\n","protected":false},"author":28,"featured_media":40627,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"dwc-title":[],"dwc-content":[],"footnotes":""},"categories":[37],"tags":[],"class_list":["post-40626","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-e-spettacolo"],"rttpg_featured_image_url":{"full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",750,520,false],"landscape":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",750,520,false],"portraits":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",750,520,false],"thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1-150x150.webp",150,150,true],"medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1-300x208.webp",300,208,true],"large":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",640,444,false],"thumblist":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",300,208,false],"thumbrelated":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",500,347,false],"meccarouselthumb":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",467,324,false],"gridsquare":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",375,260,false],"tileview":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",300,208,false],"1536x1536":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",750,520,false],"2048x2048":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",750,520,false],"newsup-slider-full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",750,520,false],"newsup-featured":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",750,520,false],"newsup-medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1-720x380.webp",720,380,true],"tptn_thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1.webp",250,173,false],"sow-carousel-default":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/43848-1-272x182.webp",272,182,true]},"rttpg_author":{"display_name":"redazione","author_link":"https:\/\/imagazine.it\/home_desk\/author\/redazione\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/imagazine.it\/home_desk\/category\/cultura-e-spettacolo\/\" rel=\"category tag\">CULTURA&amp;SPETTACOLO<\/a>","rttpg_excerpt":"Dodici Note Solo","_links":{"self":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/40626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/comments?post=40626"}],"version-history":[{"count":0,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/40626\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media\/40627"}],"wp:attachment":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media?parent=40626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/categories?post=40626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/tags?post=40626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}