{"id":26319,"date":"2018-03-20T00:00:00","date_gmt":"2018-03-19T23:00:00","guid":{"rendered":"https:\/\/imagazine.it\/?p=26319"},"modified":"2018-03-20T00:00:00","modified_gmt":"2018-03-19T23:00:00","slug":"da-trieste-ad-aquileia-il-cinema-in-movimento-del-fvg","status":"publish","type":"post","link":"https:\/\/imagazine.it\/home_desk\/da-trieste-ad-aquileia-il-cinema-in-movimento-del-fvg\/","title":{"rendered":"Da Trieste ad Aquileia, il cinema in movimento del FVG"},"content":{"rendered":"<p>Finanziata dalla\u00a0<strong>Regione Friuli Venezia Giulia,\u00a0<\/strong>&#8220;La\u00a0Scuola di\u00a0Cinema senza sedie&#8221;\u00a0promossa dalle\u00a0associazioni<strong>\u00a0Mattador\u00a0<\/strong>di Trieste e\u00a0<strong>Visionaria<\/strong>\u00a0di Siena ha portato le due giovani film-maker vincitrici della prima edizione del concorso Visioni in Movimento FVG,\u00a0<strong>Ludovica Mantovan<\/strong>\u00a0e\u00a0<strong>Isabella Aquino<\/strong>, lungo le antiche vie che collegano\u00a0<strong>Trieste e Aquileia\u00a0<\/strong>attraverso il Sentiero Rilke fino al paese rurale di Medeazza, attraverso il Parco tematico sulla Grande Guerra fino alla Riserva Naturale dell\u2019Isola della Cona, per raggiungere la citt\u00e0 di Grado e concludere ad Aquileia per un totale di 70 km. Preziosi in questo senso la collaborazione con\u00a0l&#39;ente\u00a0<strong>PromoTurismo FVG<\/strong>,\u00a0anche\u00a0con la partecipazione dei\u00a0Social Ambassador, e il supporto di\u00a0<strong>Montura<\/strong>, marchio specializzato in abbigliamento sportivo.<\/p>\n<p>Nel gruppo in cammino i registi\u00a0<strong>Matteo Oleotto<\/strong>\u00a0e\u00a0<strong>Alessandro Rossetto<\/strong>, i compositori\u00a0<strong>Stefano Schiraldi<\/strong>\u00a0e\u00a0<strong>Simone Biasio<\/strong>l, il location manager\u00a0<strong>Gianluca Novel<\/strong>,\u00a0lo scenografo\u00a0<strong>Andrea Gregoretti<\/strong>, con la\u00a0coordinazione di\u00a0<strong>Giulio Kirchmayr\u00a0<\/strong>e\u00a0<strong>Pietro Caenazzo\u00a0<\/strong>di\u00a0Mattador e\u00a0<strong>Giuseppe Gori Savellini\u00a0<\/strong>di Visionaria e la direzione dello stesso Oleotto.\u00a0<\/p>\n<p>Ora Ludovica e Isabella si dedicheranno alla produzione dei loro film, i quali dovranno avere una durata inferiore a 15&#39;. Le\u00a0riprese verranno effettuate sullo stesso cammino gi\u00e0 affrontato in precedenza\u00a0e con l\u2019ausilio di\u00a0due\u00a0troupe leggere\u00a0e senza il supporto di veicoli di trasporto.\u00a0<\/p>\n<p>Il\u00a0<strong>26 aprile<\/strong>\u00a0i due lavori saranno infine proiettati al<strong>\u00a0Teatro Miela<\/strong>\u00a0<strong>di Trieste<\/strong>.<\/p>\n<p>Intanto sono aperti i bandi per le quattro sezioni del Premio\u00a0Mattador: i lavori devono essere inviati entro \u202ail 15 aprile . Non \u00e8 prevista alcuna quota d&#39;iscrizione. Tutte le informazioni sul sito\u00a0<a href=\"http:\/\/www.premiomattador.it\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.premiomattador.it<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;La Scuola di Cinema senza sedie&#8221;<\/p>\n","protected":false},"author":28,"featured_media":26320,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"dwc-title":[],"dwc-content":[],"footnotes":""},"categories":[37],"tags":[],"class_list":["post-26319","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-e-spettacolo"],"rttpg_featured_image_url":{"full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",750,500,false],"landscape":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",750,500,false],"portraits":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",750,500,false],"thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1-150x150.webp",150,150,true],"medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1-300x200.webp",300,200,true],"large":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",640,427,false],"thumblist":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",300,200,false],"thumbrelated":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",500,333,false],"meccarouselthumb":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",474,316,false],"gridsquare":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",391,260,false],"tileview":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",300,200,false],"1536x1536":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",750,500,false],"2048x2048":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",750,500,false],"newsup-slider-full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",750,500,false],"newsup-featured":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",750,500,false],"newsup-medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1-720x380.webp",720,380,true],"tptn_thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1.webp",250,167,false],"sow-carousel-default":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24537-1-272x182.webp",272,182,true]},"rttpg_author":{"display_name":"redazione","author_link":"https:\/\/imagazine.it\/home_desk\/author\/redazione\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/imagazine.it\/home_desk\/category\/cultura-e-spettacolo\/\" rel=\"category tag\">CULTURA&amp;SPETTACOLO<\/a>","rttpg_excerpt":"\"La Scuola di Cinema senza sedie\"","_links":{"self":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/26319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/comments?post=26319"}],"version-history":[{"count":0,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/26319\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media\/26320"}],"wp:attachment":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media?parent=26319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/categories?post=26319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/tags?post=26319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}