{"id":26093,"date":"2018-02-14T00:00:00","date_gmt":"2018-02-13T23:00:00","guid":{"rendered":"https:\/\/imagazine.it\/?p=26093"},"modified":"2018-02-14T00:00:00","modified_gmt":"2018-02-13T23:00:00","slug":"brigitte-lin-ching-hsia-a-udine-per-il-gelso-doro","status":"publish","type":"post","link":"https:\/\/imagazine.it\/home_desk\/brigitte-lin-ching-hsia-a-udine-per-il-gelso-doro\/","title":{"rendered":"Brigitte Lin Ching Hsia a Udine per il &#8220;Gelso d&#8217;Oro&#8221;"},"content":{"rendered":"<p><strong>Brigitte Lin Ching Hsia<\/strong>, l\u2019attrice che ha interpretato\u00a0<strong><em>Hong Kong Express<\/em>\u00a0di Wong Kar-wai<\/strong>, sar\u00e0 la protagonista dell\u2019apertura ufficiale <strong>della ventesima edizione<\/strong> del\u00a0<strong>Far East Film Festival di Udine<\/strong>,\u00a0<strong>venerd\u00ec 20 aprile<\/strong>. Il giorno seguente ricever\u00e0 anche il\u00a0<strong>Gelso d\u2019Oro alla Carriera<\/strong>.<\/p>\n<p>Considerata\u00a0<strong>la dea del cinema di Taiwan\u00a0<\/strong>\u2013 sua casa madre \u2013\u00a0<strong>e di Hong Kong<\/strong>, dai primi anni Settanta fino a met\u00e0 degli anni Novanta (Wong Kar-wai ne fece, appunto, il cuore pulsante di\u00a0<em>Hong Kong Express<\/em>\u00a0e\u00a0<em>Ashes of Time<\/em>),\u00a0<strong>Brigitte Lin Ching Hsia\u00a0<\/strong>pu\u00f2 vantare una filmografia di <strong>oltre 100 titoli<\/strong>, tra melodrammi sentimentali e wuxia (<em>Swordman II<\/em>\u00a0di Tsui Hark), passando per thriller e sperimentazioni anticonformiste, che il\u00a0<strong>Far East Film Festival\u00a0<\/strong>\u201cdistiller\u00e0\u201d in una\u00a0<strong> retrospettiva<\/strong>. Omaggio nell\u2019omaggio, la prima europea del\u00a0<strong><em>Cloud of Romance<\/em><\/strong>\u00a0(1977), appena restaurato dal\u00a0<strong>Taiwan Film Institute<\/strong>.<\/p>\n<p><strong>Brigitte Lin Ching Hsia<\/strong> sar\u00e0 accompagnata dalla\u00a0<strong> produttrice hongkonghese<\/strong>\u00a0<strong>Nansun Shi<\/strong>, nuovamente sul palco udinese dopo aver ricevuto il Gelso d\u2019Oro alla Carriera durante il FEFF 17 (in occasione della presentazione di <em>The Taking of Tiger Mountain<\/em>\u00a0di Tsui Hark).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Il 21 aprile la consegna<\/p>\n","protected":false},"author":28,"featured_media":26094,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"dwc-title":[],"dwc-content":[],"footnotes":""},"categories":[37],"tags":[],"class_list":["post-26093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-e-spettacolo"],"rttpg_featured_image_url":{"full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",750,509,false],"landscape":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",750,509,false],"portraits":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",750,509,false],"thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1-150x150.webp",150,150,true],"medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1-300x204.webp",300,204,true],"large":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",640,434,false],"thumblist":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",300,204,false],"thumbrelated":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",500,339,false],"meccarouselthumb":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",474,322,false],"gridsquare":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",383,260,false],"tileview":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",300,204,false],"1536x1536":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",750,509,false],"2048x2048":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",750,509,false],"newsup-slider-full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",750,509,false],"newsup-featured":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",750,509,false],"newsup-medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1-720x380.webp",720,380,true],"tptn_thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1.webp",250,170,false],"sow-carousel-default":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/24017-1-272x182.webp",272,182,true]},"rttpg_author":{"display_name":"redazione","author_link":"https:\/\/imagazine.it\/home_desk\/author\/redazione\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/imagazine.it\/home_desk\/category\/cultura-e-spettacolo\/\" rel=\"category tag\">CULTURA&amp;SPETTACOLO<\/a>","rttpg_excerpt":"Il 21 aprile la consegna","_links":{"self":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/26093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/comments?post=26093"}],"version-history":[{"count":0,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/26093\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media\/26094"}],"wp:attachment":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media?parent=26093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/categories?post=26093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/tags?post=26093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}