{"id":19109,"date":"2016-01-29T00:00:00","date_gmt":"2016-01-28T23:00:00","guid":{"rendered":"https:\/\/imagazine.it\/?p=19109"},"modified":"2016-01-29T00:00:00","modified_gmt":"2016-01-28T23:00:00","slug":"a-udine-lhorror-dautore","status":"publish","type":"post","link":"https:\/\/imagazine.it\/home_desk\/a-udine-lhorror-dautore\/","title":{"rendered":"A Udine l&#8217;horror d&#8217;autore"},"content":{"rendered":"<p style=\"text-align: justify;\" class=\"ui-droppable\"> \tCon la splendida ghost story\u00a0<strong><em>The Inerasable (Indelebile)<\/em><\/strong>, nuovo capitolo della gloriosa epopea\u00a0<strong>J-Horror<\/strong>, ritorna sullo schermo del\u00a0<strong>Far East Film Festival<\/strong>\u00a0<strong>di Udine<\/strong>\u00a0uno dei registi (anzi: degli autori) pi\u00f9 visionari e prolifici del cinema giapponese:\u00a0<strong>Nakamura Yoshihiro<\/strong>.<\/p>\n<p style=\"text-align: justify;\" class=\"ui-droppable\"> \tSe \u00e8 ancora troppo presto per svelare la\u00a0<strong>diciottesima line-up del FEFF\u00a0<\/strong>(in programma\u00a0<strong>dal 22 al 30 aprile<\/strong>), l\u2019arrivo del nerissimo\u00a0<em>The Inerasable,\u00a0<\/em>in anteprima europea, rappresenta una ghiotta anticipazione. Anticipazione che\u00a0<strong>Udine<\/strong>\u00a0diffonde in perfetto sincronia con\u00a0<strong>Tokyo\u00a0<\/strong>dove l\u2019uscita del film \u00e8 stata annunciata dalla\u00a0<strong>Shochiku <\/strong>per sabato 30 gennaio.<\/p>\n<p style=\"text-align: justify;\" class=\"ui-droppable\"> \tVecchio amico del\u00a0<strong>FEFF\u00a0<\/strong>(ricordiamo, nel corso degli anni, titoli come\u00a0<em>The Glorious Team Batista<\/em>,\u00a0<em>Fish Story<\/em>,\u00a0<em>Golden Slumber<\/em>,\u00a0<em>The Triumphant General Rouge<\/em>, fino ai pi\u00f9 recenti\u00a0<em>See You Tomorrow, Everyone<\/em>\u00a0e\u00a0<em>The Snow with Murder Case<\/em>),\u00a0<strong>Nakamura\u00a0<\/strong>&#8211;\u00a0anche sceneggiatore dell\u2019horror<strong>\u00a0<em>Dark Water\u00a0<\/em>\u00a0<\/strong>diretto da Nakata Hideo\u00a0&#8211;\u00a0traduce questa volta in immagini le buie parole di un una best-selling horror novel:\u00a0<em>Zange<\/em>\u00a0di\u00a0Ono Fuyumi.\u00a0<\/p>\n<p style=\"text-align: justify;\" class=\"ui-droppable\"> \t<strong><em>The Inerasable<\/em><\/strong>\u00a0&#8211; ritorno di Nakamura all\u2019horror dopo circa 10 anni &#8211; comincia con una lettera: la riceve una scrittrice, una vera e propria stella della letteratura mystery, scoprendo che una donna si \u00e8 messa a indagare su una stranissima catena di suicidi. Cosa si nasconde dietro a queste morti? E queste morti come si collegano all\u2019attivit\u00e0 della scrittrice? L\u2019enigma s\u2019infittisce fino a quando, piano piano, viene a galla la verit\u00e0\u2026<\/p>\n<p style=\"text-align: justify;\" class=\"ui-droppable\"> \tI 60 titoli del\u00a0<strong>#FEFF18<\/strong>\u00a0(hashtag ufficiale) attingeranno, come sempre, alle migliori produzioni dell&#8217;ultima stagione cinematografica (blockbuster, cult movie, outsider su cui scommettere, ma anche \u201coasi d\u2019autore\u201d da tutto l\u2019Estremo Oriente) e il calendario, ancora una volta, sar\u00e0 impreziosito da un fittissima rete di eventi collaterali (mostre, conferenze, incontri).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Anticipazioni del Far East Film Festival<\/p>\n","protected":false},"author":28,"featured_media":19110,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"dwc-title":[],"dwc-content":[],"footnotes":""},"categories":[37],"tags":[],"class_list":["post-19109","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-e-spettacolo"],"rttpg_featured_image_url":{"full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"landscape":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"portraits":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1-150x150.webp",150,150,true],"medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1-300x212.webp",300,212,true],"large":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"thumblist":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",300,212,false],"thumbrelated":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"meccarouselthumb":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"gridsquare":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",367,260,false],"tileview":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",300,212,false],"1536x1536":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"2048x2048":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"newsup-slider-full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"newsup-featured":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"newsup-medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",424,300,false],"tptn_thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1.webp",250,177,false],"sow-carousel-default":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/12699-1-272x182.webp",272,182,true]},"rttpg_author":{"display_name":"redazione","author_link":"https:\/\/imagazine.it\/home_desk\/author\/redazione\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/imagazine.it\/home_desk\/category\/cultura-e-spettacolo\/\" rel=\"category tag\">CULTURA&amp;SPETTACOLO<\/a>","rttpg_excerpt":"Anticipazioni del Far East Film Festival","_links":{"self":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/19109","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/comments?post=19109"}],"version-history":[{"count":0,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/19109\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media\/19110"}],"wp:attachment":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media?parent=19109"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/categories?post=19109"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/tags?post=19109"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}