{"id":15219,"date":"2014-12-09T00:00:00","date_gmt":"2014-12-08T23:00:00","guid":{"rendered":"https:\/\/imagazine.it\/?p=15219"},"modified":"2014-12-09T00:00:00","modified_gmt":"2014-12-08T23:00:00","slug":"a-udine-per-un-matrimonio-impossibile","status":"publish","type":"post","link":"https:\/\/imagazine.it\/home_desk\/a-udine-per-un-matrimonio-impossibile\/","title":{"rendered":"A Udine per un matrimonio impossibile"},"content":{"rendered":"<\/p>\n

\tIn un mondo dilaniato dalla I Guerra Mondiale da oltre un anno, l\u2019inguaribile ottimismo del compositore ungherese K\u00e0lm\u00e0n porta in scena, il 17 novembre 1915 a Vienna,\u00a0La Principessa della Czarda\u00a0<\/em>uno dei pi\u00f9 grandi successi della storia dell\u2019operetta. Il libretto si ispira ad un argomento popolare in quell\u2019epoca di cambiamenti storici e sociali: quello dei matrimoni tra rampolli dell\u2019aristocrazia e affascinanti primedonne dei teatri. Il principe Edvino trascorre le sue serate in un celebre locale notturno di Budapest, l'Orpheum. Qui si innamora di Sylva, diva del momento, incantevole \u201cprincipessa\u201d della Czarda, la danza appassionata che con la sua passionalit\u00e0 sembra far dimenticare la vicinanza dei cannoni e della dura realt\u00e0. Purtroppo il romanzo d'amore, seppur sincero, tra i due giovani, \u00e8 destinato a durare poco, infatti il padre di Edvino, contrario a questo legame, obbliga il figlio ad un fidanzamento ufficiale con la contessina Stasi. Ma Sylva ed Edvino si amano profondamente e, prima di lasciarsi, il principe stipula un contratto di nozze col quale promette di sposarla\u2026\u00a0<\/p>\n

\tScopri i dettagli dell'evento<\/a>.<\/p>\n

\t\u00a0<\/p>\n\n\n\n\n\n\n\n\n\n
\t\t\t\tSylva Varescu<\/em>\u00a0 \u00a0<\/td>\n \t\t\t\tSusie Georgiadis<\/strong><\/td>\n<\/tr>\n
\t\t\t\tPrincipe Edvino<\/em><\/td>\n \t\t\t\tAntonio Colamorea<\/strong><\/td>\n<\/tr>\n
\t\t\t\tConte Boni<\/em><\/td>\n \t\t\t\tAlessandro Brachetti<\/strong>\u00a0\u00a0<\/td>\n<\/tr>\n
\t\t\t\tContessina Stasi<\/em><\/td>\n \t\t\t\tSilvia Felisetti<\/strong><\/td>\n<\/tr>\n
\t\t\t\tFeri<\/em>\u00a0\u00a0<\/td>\n \t\t\t\tFulvio Massa\u00a0<\/strong><\/td>\n<\/tr>\n
\t\t\t\tGenerale Rushdorf<\/em><\/td>\n \t\t\t\tFrancesco Mei<\/strong><\/td>\n<\/tr>\n
\t\t\t\tPrincipe Leopoldo Maria<\/em><\/td>\n \t\t\t\tMarco Falsetti<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\t\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

La Principessa della Czarda<\/p>\n","protected":false},"author":28,"featured_media":15220,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"dwc-title":[],"dwc-content":[],"footnotes":""},"categories":[37],"tags":[],"class_list":["post-15219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-e-spettacolo"],"rttpg_featured_image_url":{"full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"landscape":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"portraits":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1-150x150.webp",150,150,true],"medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1-300x200.webp",300,200,true],"large":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"thumblist":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",300,200,false],"thumbrelated":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"meccarouselthumb":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"gridsquare":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",391,260,false],"tileview":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",300,200,false],"1536x1536":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"2048x2048":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"newsup-slider-full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"newsup-featured":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"newsup-medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",450,300,false],"tptn_thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1.webp",250,167,false],"sow-carousel-default":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/8106-1-272x182.webp",272,182,true]},"rttpg_author":{"display_name":"redazione","author_link":"https:\/\/imagazine.it\/home_desk\/author\/redazione\/"},"rttpg_comment":0,"rttpg_category":"CULTURA&SPETTACOLO<\/a>","rttpg_excerpt":"La Principessa della Czarda","_links":{"self":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/15219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/comments?post=15219"}],"version-history":[{"count":0,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/15219\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media\/15220"}],"wp:attachment":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media?parent=15219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/categories?post=15219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/tags?post=15219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}