{"id":14759,"date":"2014-09-12T00:00:00","date_gmt":"2014-09-11T23:00:00","guid":{"rendered":"https:\/\/imagazine.it\/?p=14759"},"modified":"2014-09-12T00:00:00","modified_gmt":"2014-09-11T23:00:00","slug":"a-carpi-grande-mostra-grazie-a-trieste","status":"publish","type":"post","link":"https:\/\/imagazine.it\/home_desk\/a-carpi-grande-mostra-grazie-a-trieste\/","title":{"rendered":"A Carpi grande mostra grazie a&#8230; Trieste"},"content":{"rendered":"<p style=\"text-align: justify;\" class=\"ui-droppable\"> \tNella cornice del <em>Festival Filosofia 2014<\/em> di Modena, Carpi e Sassuolo, dedicato quest&#8217;anno alla Gloria, domani alle ore 18, al Palazzo dei Principi di Carpi,\u00a0 sar\u00e0\u00a0 inaugurata la mostra <em>\u201cTrionfi. Il segno di Petrarca nella Corte dei Pio\u201d.<\/em><\/p>\n<p style=\"text-align: justify;\" class=\"ui-droppable\"> \tAll&#8217;esposizione, curata da Sonia Cavicchioli e Manuela Rossi, collabora con il prestito di dieci opere il Museo petrarchesco piccolomineo di Trieste, di cui saranno esposti fino al 6 gennaio 2015 due fronti di Cassoni nuziali (opera toscana della met\u00e0 del Quattrocento attribuita a Domenico di Zanobi), oltre a incunaboli ed edizioni del XVI secolo illustrate. Le tavole dipinte con i Trionfi di Amore-Castit\u00e0-Morte e con il Trionfo del Tempo-Fama-Eternit\u00e0,\u00a0 paradigma della fortuna che circond\u00f2 l&#8217;opera petrarchesca nella cultura delle \u00e9lites rinascimentali, sono contestualizzate accanto alle spalliere con il medesimo soggetto dipinte dallo Scheggia,\u00a0 fratello di Masaccio, prestate dal Museo di\u00a0 Palazzo Davanzati a Firenze, e al Trionfo di Cesare di Mantegna, giunto da Palazzo San Sebastiano a Mantova.<\/p>\n<p style=\"text-align: justify;\" class=\"ui-droppable\"> \t\u201cCollaborare a questa esposizione \u2013 rendono noto dall\u2019Amministrazione comunale triestina \u2013 \u00e8 una scelta che valorizza e\u00a0 divulga il patrimonio artistico e bibliografico del museo petrarchesco piccolomineo in uno dei\u00a0 centri del Rinascimento italiano\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cTrionfi. Il segno di Petrarca nella Corte dei Pio\u201d<\/p>\n","protected":false},"author":28,"featured_media":14760,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"dwc-title":[],"dwc-content":[],"footnotes":""},"categories":[37],"tags":[],"class_list":["post-14759","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-e-spettacolo"],"rttpg_featured_image_url":{"full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"landscape":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"portraits":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1-150x150.webp",150,150,true],"medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1-300x209.webp",300,209,true],"large":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"thumblist":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",300,209,false],"thumbrelated":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"meccarouselthumb":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"gridsquare":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"tileview":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",300,209,false],"1536x1536":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"2048x2048":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"newsup-slider-full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"newsup-featured":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"newsup-medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",373,260,false],"tptn_thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1.webp",250,174,false],"sow-carousel-default":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/7077-1-272x182.webp",272,182,true]},"rttpg_author":{"display_name":"redazione","author_link":"https:\/\/imagazine.it\/home_desk\/author\/redazione\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/imagazine.it\/home_desk\/category\/cultura-e-spettacolo\/\" rel=\"category tag\">CULTURA&amp;SPETTACOLO<\/a>","rttpg_excerpt":"\u201cTrionfi. Il segno di Petrarca nella Corte dei Pio\u201d","_links":{"self":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/14759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/comments?post=14759"}],"version-history":[{"count":0,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/14759\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media\/14760"}],"wp:attachment":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media?parent=14759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/categories?post=14759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/tags?post=14759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}