{"id":13908,"date":"2014-04-22T00:00:00","date_gmt":"2014-04-21T23:00:00","guid":{"rendered":"https:\/\/imagazine.it\/?p=13908"},"modified":"2014-04-22T00:00:00","modified_gmt":"2014-04-21T23:00:00","slug":"a-michael-werner-il-gelso-doro-2014","status":"publish","type":"post","link":"https:\/\/imagazine.it\/home_desk\/a-michael-werner-il-gelso-doro-2014\/","title":{"rendered":"A Michael Werner il &#8220;Gelso d&#8217;oro 2014&#8221;"},"content":{"rendered":"<p style=\"text-align: justify;\" class=\"ui-droppable\"> \tDopo aver premiato, lo scorso anno, il gigante sudcoreano\u00a0<strong>Kim Dong-ho<\/strong>, il\u00a0<strong>Far East Film Festival<\/strong>assegner\u00e0 il\u00a0<strong>Gelso d\u2019Oro<\/strong>\u00a0<strong>2014\u00a0<\/strong>a un altro grande uomo di cinema: il produttore e distributore americano\u00a0<strong>Michael Werner<\/strong>, presidente della\u00a0<strong>Fortissimo Films<\/strong>. Il\u00a0<strong>primo e coraggioso avamposto occidentale<\/strong>\u00a0della\u00a0<strong>cultura cinematografica d\u2019Oriente<\/strong>.<\/p>\n<p style=\"text-align: justify;\" class=\"ui-droppable\"> \tAssieme al fondatore, l\u2019olandese\u00a0<strong>Wouter Barendrecht<\/strong>\u00a0scomparso nel 2009,\u00a0<strong>Werner\u00a0<\/strong>ha permesso la circuitazione di opere che, difficilmente, avrebbero oltrepassato il perimetro dei Festival. A cominciare dal meraviglioso\u00a0<strong><em>Hong Kong Express<\/em><\/strong><em>,\u00a0<\/em>firmato da\u00a0Wong Kar Wai nel 1994, che per molti spettatori ha rappresentato un vero e proprio colpo di fulmine. Una porta, finalmente aperta, sull\u2019ex colonia britannica e sull\u2019Asia intera.\u00a0\u00a0\u00a0\u00a0<\/p>\n<p style=\"text-align: justify;\" class=\"ui-droppable\"> \t\u00c8 anche grazie a quella porta che il\u00a0<strong>Centro Espressioni Cinematografiche di Udine<\/strong>, solo qualche anno pi\u00f9 tardi, ha esplorato il pianeta hongkonghese con una monografia \u2013 l\u2019Hong Kong Film del 1998 \u2013 destinata a trasformarsi nell\u2019attuale\u00a0<strong>Far East Film Festival<\/strong>. E la gratitudine cinefila verso\u00a0<strong>Michael Werner<\/strong>,<strong>\u00a0Wouter Barendrecht\u00a0<\/strong>e la\u00a0<strong>Fortissimo<\/strong>, appunto, prender\u00e0 la forma simbolica del\u00a0<strong>Gelso d\u2019Oro<\/strong>. Un premio che non si limita ad onorare le carriere degli attori o dei registi, com\u2019\u00e8 successo con\u00a0<strong>Johhnie To<\/strong>, ma che prende in esame tutti i ruoli della macchina e dell\u2019industria cinematografica.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p style=\"text-align: justify;\" class=\"ui-droppable\"> \tEd ecco, dunque, la\u00a0<strong>Fortissimo Films<\/strong>. Questi alcuni capolavori del suo catalogo:\u00a0<em>Air Doll<\/em>\u00a0di Hirokazu Kore-eda (Giappone, 2009),\u00a0<em>All About Lili Chou-Chou<\/em>\u00a0di Shunji Iwai (Giappone 2001),\u00a0<em>Bangkok Dangerous<\/em>di Danny &#038; Oxide Pang (Thailandia 2000),\u00a0<em>Dream Home<\/em>\u00a0di Pang Ho-cheung (Hong Kong 2010),<em>\u00a0Made in Hong Kong<\/em>di Fruit Chan (Hong Kong 1996),\u00a0<em>Le lacrime della tigre nera<\/em>\u00a0(Tears Of The Black Tiger di Wisit Sasanatieng, Thailandia 2000),\u00a0<em>Tokyo Sonata<\/em>\u00a0di Kiyoshi Kurosawa (Giappone 2008).<\/p>\n<p style=\"text-align: justify;\" class=\"ui-droppable\"> \tLa cerimonia di consegna del\u00a0<strong>Gelso d\u2019Oro<\/strong>, ricordiamo, si svolger\u00e0\u00a0<strong>mercoled\u00ec 26 aprile\u00a0<\/strong>sul palco del\u00a0<strong>Teatro Nuovo<\/strong>\u00a0prima della proiezione di\u00a0<strong><em>The Midnight After<\/em><\/strong>, l\u2019ultimo gioiello di\u00a0<strong>Fruit Chan<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Premiazione al Far East Film Festival<\/p>\n","protected":false},"author":28,"featured_media":13909,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"dwc-title":[],"dwc-content":[],"footnotes":""},"categories":[37],"tags":[],"class_list":["post-13908","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-e-spettacolo"],"rttpg_featured_image_url":{"full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",800,534,false],"landscape":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",800,534,false],"portraits":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",800,534,false],"thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1-150x150.webp",150,150,true],"medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1-300x200.webp",300,200,true],"large":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",640,427,false],"thumblist":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",300,200,false],"thumbrelated":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",500,334,false],"meccarouselthumb":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",474,316,false],"gridsquare":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",391,260,false],"tileview":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",300,200,false],"1536x1536":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",800,534,false],"2048x2048":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",800,534,false],"newsup-slider-full":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",800,534,false],"newsup-featured":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",800,534,false],"newsup-medium":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1-720x380.webp",720,380,true],"tptn_thumbnail":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1.webp",250,167,false],"sow-carousel-default":["https:\/\/imagazine.it\/wp-content\/uploads\/2024\/01\/5083-1-272x182.webp",272,182,true]},"rttpg_author":{"display_name":"redazione","author_link":"https:\/\/imagazine.it\/home_desk\/author\/redazione\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/imagazine.it\/home_desk\/category\/cultura-e-spettacolo\/\" rel=\"category tag\">CULTURA&amp;SPETTACOLO<\/a>","rttpg_excerpt":"Premiazione al Far East Film Festival","_links":{"self":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/13908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/comments?post=13908"}],"version-history":[{"count":0,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/posts\/13908\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media\/13909"}],"wp:attachment":[{"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/media?parent=13908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/categories?post=13908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imagazine.it\/home_desk\/wp-json\/wp\/v2\/tags?post=13908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}